billy eckstine collar

[7] He married his first wife, June, in 1942. Our attack was strong, and we were playing bebop, the modern style. Eckstine made numerous appearances on television variety shows, including on The Ed Sullivan Show, The Nat King Cole Show, The Tonight Show with Steve Allen, Jack Paar, and Johnny Carson, The Merv Griffin Show, The Art Linkletter Show, The Joey Bishop Show, The Dean Martin Show, The Flip Wilson Show, and Playboy After Dark. | Culturally Eckstine was a fashion icon. Billy Eckstine's smooth baritone and distinctive vibrato made him the leader of the original bop big band & as first romantic black male in popular music. "[18], The title of a 1956 promotional movie by the C. G. Conn Company, Mr. B Natural, is derivative of Eckstine's nickname "Mr. We, the whole music profession, were so happy to see him achieve what he was doing. Connect your Spotify account to your account and scrobble everything you listen to, from any Spotify app on any device or platform. [6], Heading to Chicago, Eckstine joined Earl Hines' Grand Terrace Orchestra in 1939, staying with the band as vocalist and trumpeter, until 1943. The Billy Eckstine Orchestra is considered to be the first bop big-band, and had Top Ten chart entries that included "A Cottage for Sale" and "Prisoner of Love".

In addition to looking cool, the collar expanded and contracted without popping open, which allowed his neck to swell while playing his horns. ", In 1944, Eckstine formed his own big band and it became the finishing school for adventurous young musicians who would shape the future of jazz. 8/3/1993 in Pittsburgh, PA, United States, William Clarence Eckstine (July 8, 1914 – March 8, 1993)[1] was an American jazz and pop singer, and a bandleader of the swing era.

... "His style and technique have seen extensively copied by some of the neocommercial singers, but despite their efforts he remains out front to show how and what should have been done.". He was famous for his "Mr. B. Collar"- a high roll collar that formed a "B" over a Windsor-knotted tie. Eckstine was a pallbearer at Davis' funeral in 1990. The Billy Eckstine Orchestra was the first bop big-band, and its leader reflected bop innovations by stretching his vocal harmonics into his normal ballads. After singing with the Earl Hines band from 1939 to 1943 he led his own band from 1944 to 1947. After recording sparingly during the 1970s for Al Bell's Stax/Enterprise imprint, the international touring Eckstine made his last recording, the Grammy-nominated Billy Eckstine Sings with Benny Carter in 1986. On the group's frequent European and American tours, Eckstine also played trumpet, valve trombone, and guitar.Though he was forced to give up the band in 1947 (Gillespie formed his own bop big band that same year), Eckstine made the transition to string-filled balladry with ease. B." His parents were William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress of note. Although best known as a singer, his openness to new music made him a strong influence on modern jazz, particularly bebop, as he gave employment to many of the musicians who founded the style.

In November 1986, Eckstine recorded with saxophonist Benny Carter for his 1987 album Billy Eckstine Sings with Benny Carter. All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. [8], Dizzy Gillespie, in reflecting on the band in his 1979 autobiography To Be or Not to Bop, gives this perspective: "There was no band that sounded like Billy Eckstine's. [9] One photograph taken by Holmes and published in LIFE showed Eckstine with a group of white female admirers, one of whom had her hand on his shoulder and her head on his chest while she laughed. After working his way west to Chicago during the late '30s, Eckstine was hired by Earl Hines to join his Grand Terrace Orchestra in 1939. Eckstine's recording of "I Apologize" (MGM, 1948) was awarded the Grammy Hall of Fame Award in 1999.

Eckstine had further success in 1950 with Victor Young's theme song to "My Foolish Heart," and the next year with a revival of the 1931 Bing Crosby hit, "I Apologize". His 1950 appearance at the Paramount Theatre in New York City drew a larger audience than Frank Sinatra at his Paramount performance. In addition to looking cool, the collar expanded and contracted without popping open, which allowed his neck to swell while playing his horns. His last hit was "Passing Strangers", a duet with Sarah Vaughan released in 1957.

‎Billy Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big band, then as the first romantic black male in popular music. Eckstine would go on to record over a dozen hits during the late 1940s. He was our singer. This article uses material from the article Billy Eckstine from the free encyclopedia Wikipedia and it is licensed under the GNU Free Documentation License. Let us know what you think of the website. An influence looming large in the cultural development of soul and R&B singers from Sam Cooke to Pr…. Although there are better and more representative compilations out there, the Savoy Timeless series is a nice place for curious listeners to start.

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