We are turning on a new house in two weeks so I need to make a purchase.
The most obvious difference is cosmetic, with a 'lifestyle-friendly' design replacing the more traditional – and some would say 'industrial' – Arcam look. Add the extra amps necessary to run a full 16-channel layout, and use Dirac to lock everything into place, and the results are simply spellbinding. Weight: 18.1kg, Features: Class G amplifier; Auro-3D support; 2 x 8ch ESS 9026PRO DACs; built-in Wi-Fi and Bluetooth; Chromecast and AirPlay 2 support; web-based setup and control; Dirac Live room correction; FM/DAB tuner; calibrated microphone; IR input; 12V trigger; Ethernet; USB port; RS232 serial connector; MusicLife iOS UPnP and control app; HDMI 2.0b; HDR10, HLG, HDR10+ and Dolby Vision passthrough. It looks like it has everything but the kitchen sink. Dolby Atmos: Yes Hello I need some help deciding what to go with. The soundstage is big and bold, the music suitably funky and the object-based mix is an amped-up paean to ballistic destruction. The Japanese Zero attack was a maelstrom of front-to-back and side-to-side effects steering. With the Arcam running a 5.1.2-channel config at first, I popped in my trusty House of Flying Daggers Blu-ray. Trinnov's Dolby Atmos Object Viewer lets you watch your movie soundmixes fly about in real time... Sound United confirms acquisition of Bowers & Wilkins, Bored of black? If the expansion slots on the Emotiva are anything like their (or those from most manufacturers for that matter) past offerings, I wouldn't count on the added value of that too much...as 90% of these never really get used in the future. I am considering the AVR30 but cautious given the number of bugs/issues.
I was waiting for the review on the Arcam AV40 for so long. For those wanting extra channels, the company sells its PA410 power amp with four channels of Class AB, or the PA720 with seven channels of Class G welly. Arcam believes it's better to offer high-quality Class G grunt, rather than compromise performance by cramming in more amp modules.
It's a cinch to connect using Chromecast or AirPlay, and makes streaming music painless. 7 x inputs; 3 x outputs It might 'only' have seven channels of amplification, but its Class G power delivers the goods. VerticalScope Inc., 111 Peter, Suite 901, Toronto, Ontario, M5V 2H1, Canada. These can be assigned for front width, extra height or additional subwoofer channels. DTS:X: Yes And the deep bass of the thunder was weighty and controlled, underscoring the rest of the system rather than swamping it. You also still can't reassign the internal amplification, although you do have greater flexibility with the outputs for channels 13 to 16.
Aesthetics aside, the real differences are internal, with the new models supporting Dolby Atmos, DTS:X, IMAX Enhanced and Auro-3D right out of the box – with the latter being new to Arcam. Want to see your home cinema system featured in the pages of HCC? I don't think I'll be looking at changing the unit anytime soon, unless for a another Arcam. Arcam's new lineup of AV models is finally here, adding three seven-channel receivers and a 16-channel processor to its High Definition Audio (HDA) range. All good, but it was time to get serious. The AVR30 takes the AV receiver concept to the next level with a 16-channel processing performance that gives far costlier systems a run for their money.
Pushing The Envelope The AV40, meanwhile, is a 16-channel processor (£3,800) that swaps the AVR30's onboard power for balanced XLR outputs. I am considering the AVR30 but cautious given the number of bugs/issues. It was a similar experience with the Atmos mix for Midway (4K Blu-ray). And 16 channels results in a horizon-wide soundstage with dramatic sense of three-dimensional space. Along with the features already mentioned, it packs ESS 9026PRO audiophile DACs, Class G amplification with a toroidal transformer, and Dirac Live room correction. The second-tier AVR20 (£3,000) is essentially the same but switches the more expensive Class G for traditional Class AB amplification. I still gave my Pixels Blu-ray a whirl, to check decoding, and it sounded sublime, even through my Atmos setup.
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